Posted: September 13, 2016 | Author: Donald | Filed under: Uncategorized | Tags: Aaron Eckhardt, Anna Gunn, Captain Phillips, Chesley Sullenburger, Clint Eastwood, Do The Right Thing, Jamey Sheridan, Laura Linney, Michael Rappaport, Mike O’Malley, Parker Sawyers, Pauline Kael, Richard Tanner, Saving Mr. Banks, Southside With You, Spike Lee, Tika Sumpter, Tom hanks, Tom Komarnicki, Tom McElroy, Valerie Mahaffey | 2 Comments »
For questions: firstname.lastname@example.org
First, a word from our sponsors: I wanted to say thank you to everyone who contributed to our Indiegogo campaign for 15 Conversations in 10 Minutes. We did very well due to you folks. For those who weren’t able to give, keep us in your thoughts. And if you are able to contribute in the future, contact me and I’ll tell you how. I will even honor the perks on the original campaign.
I am now offering a new consultation service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00. For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you. I’ll help you not lose the reader on page one.
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? FosCheck out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
and check out my Script Consultation Services: http://ow.ly/HPxKE
Some are born great, some achieve greatness, and some have greatness thrust upon them.
Twelfth Night, William Shakespeare
When Pauline Kael reviewed Abel Gance’s Napoleon, she talked, somewhat negatively, of Gance’s approach to the future emperor. She said something to the affect that when Napoleon is an adult, Gance treats him as a man of destiny; when the subject is young and in school, he’s presented as a child of destiny.
This isn’t an unusual way to approach biopics of famous people; treating them as archetypes, rather than human beings like anyone else one might meet on the street, an approach closer to what George Bernard Shaw tried to do in such works as Caeser and Cleopatra and St. Joan.
But even Shaw’s plays seem more like the Fast and Furious franchise when compared to Southside With You, the chronicling of an early and ordinary day in the life of two people who later became two of the most powerful people in the world.
Read the rest of this entry »