GAY BY GAY: Moonlight, Closet Monster and King Cobra

For questions: hcasner@aol.com

First, a word from our sponsors: I wanted to say thank you to everyone who contributed to our Indiegogo campaign for 15 Conversations in 10 Minutes. We did very well due to you folks. For those who weren’t able to give, keep us in your thoughts. And if you are able to contribute in the future, contact me and I’ll tell you how. I will even honor the perks on the original campaign.

I am now offering a new consultation service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 

 

Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  FosCheck out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013.  Only $2.99. http://ow.ly/xN31r

 

and check out my Script Consultation Services: http://ow.ly/HPxKE

Warning: SPOILERS

rev-1For new screenwriters, the niche marketplace is important because it’s not unusual for that to be a stepping stone for up and comers to bigger budgets and more ambitious projects.

For gays and lesbians, it’s doubly important because it gives us a series of films where the central character dying at the end isn’t a requirement for the acceptance of the story (although that can make it more difficult for an actor to get an Oscar nom-#oscarssowhite just loves a nice helping of #gayssodead).

There have been three movies of late (well, four, but I reviewed The Handmaiden in another post) that are niche films that have a special appeal to the LGBTQ community. Two are what are called coming out films. The other is decidedly not. Read the rest of this entry »


HEAD CASES: Movie Reviews of Joy and Concussion by Howard Casner

First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 

 

Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r

 

and check out my Script Consultation Services: http://ow.ly/HPxKE

Warning: SPOILERS

joy 1The movie Joy, the new sorta, kinda, maybe bio-pic of Joy Magano, inventor of the Miracle Mop, starts out with text on the screen: “Inspired by the true stories of daring women. One in particular”.

I don’t know. Somehow on seeing those words up there in front of me, there was something so…condescending and patronizing about it all. It’s as if the filmmakers David O. Russell (who wrote the screenplay and directed) and Annie Mumolo (who worked on Bridesmaids and gets co-story credit here) were doing women a favor by making the movie at all and that somehow women should be thankful that someone actually created a film that instructs them how they should be leading their lives, since, being women, apparently, they don’t really know how to be daring and independent themselves.  

I’m sure I’m overreacting and I’m sure few others felt the same way, but there was just something about it that left a bad taste in my mouth.

Once this intro was over, we then spend the first third of the movie with Joy being victimized by her family (both extended and not) as it falls to her to take care of everyone else’s problems while she puts hers on hold.

This section didn’t play that well with me, I’m afraid. It’s hard to watch a character allow her or himself to be treated like a door mat, letting everyone walk all over then. I think the intent is for those in the audience to say, “Oh, the poor woman”, when in reality, we’re sort of thinking, “Hey, no one’s forcing you to be the cure all for other people’s over-exaggerated slings and arrows”. Read the rest of this entry »


DOUBLE CROSS: Movie Review of Enemy by Howard Casner

ENEMY_DAY17-0034-FINALBefore I begin, a quiz:

 

Let’s say that you were watching a movie and you saw someone in said movie that was the spitting image of yourself, and I mean, as far as you can tell, he could be your identical, not fraternal, twin.  You know, like in that movie starring Haley Mills (okay, okay, if you really feel the need to brag and say you are too young to have seen that, then the one starring Lindsay Lohen).   Would you: Read the rest of this entry »