IT’S A DISASTER: Movie Reviews of The Magnificent Seven and Deepwater Horizon by Howard Casner
Posted: October 4, 2016 | Author: Donald | Filed under: Uncategorized | Tags: Akira Kurosawa, Antoine Fuqua, Battle Beyond The Stars, Byung-hun Lee, Chris Pratt, Colby Parker, Deepwater Horizon, Ethan Hawke, Gabriel Fleming, John Malcovich, Jr., Kurt Russell, Manuel Garcia-Rulfo, Mark Wahlberg, Martin Sensmeier, Matthew Michael Carnahan, Matthew Sand, Nic Pizzolatto, Peter Berg, Peter Sarsgaard, Richard Wenk, Steve Jablonsky, The Magnificent Seven, The Seven Samurai, Vincent D’Onofrio, Washington | 9 Comments »For questions: hcasner@aol.com
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Warning: SPOILERS
Two films have opened as of late which have disaster in common. One falls into that genre and one almost is one.
There is one transcendent moment in the most recent version of The Magnificent Seven. It comes at the end as the credits begin by showing each of the characters. At this point, behind them, one can here the incredibly epic score by Elmer Bernstein from the 1960 version. It’s stirring, splendid, glorious, stunning…
Unfortunately, this tiny fraction of the movie only really ended up serving one purpose: it clearly reminded the audience of the earlier version, and not to the benefit of the present one, and only went to show how bland and uninteresting the music is when it comes to James Horner and Simon Franklin’s score for this Western remake of a remake (yes, it apparently took two people to come up with something so dull). Read the rest of this entry »
BIG: Movie reviews of Spy and Jurassic World by Howard Casner
Posted: June 18, 2015 | Author: Donald | Filed under: Uncategorized | Tags: Allison Janney, B.D. Wong, Ben Falcone, Bobby Cannavale, Bryce Dallas Howard, Chris Pratt, Colin Trevorrow, Irrfan Khan, Jake Johnson, Jason Statham, Jude Law, Jurassic World, Melissa McCarthy, Miranda Hart, Nick Robinson, Omar Sy, Paul Feig, Peter Serafinowicz, Rose Byrne, Simon Masrani, Spy, Ty Simpkins, Vincent D’Onofrio | 2 Comments »First, a word from our sponsors. Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
and check out my Script Consultation Services: http://ow.ly/HPxKE
Warning: SPOILERS
Are you having a bad day? Things not going well? Are you a bit down in the dumps?
Well, if you want to feel a bit better about yourself and life in general, I can hardly recommend a more effective drop of medicine than Spy, the new espionage comedy starring Melissa McCarthy as Susan Cooper, the unprepossessing agent’s assistant with the unprepossessing name who turns into one bad un-unprepossessing ass of a Jane Bond.
What can I say? I came out of the movie theater feeling wonderful, simply wonderful, ready to take on the vicissitudes of life and the slings and arrows of outrageous fortune once again.
Now, I do have to be honest. Based on remarks I’ve seen on facebook, how you react to the movie will probably depend on how you feel about Ms. McCarthy. If you don’t like her particular brand of comedy persona, the movie may affect you more like a fallen soufflé.
I happen to think she’s an exploding nova of a comic talent. Read the rest of this entry »
MOVIE MURDER MOST FOUL: Movie Reviews of The Judge and The Blue Room by Howard Casner
Posted: October 20, 2014 | Author: Donald | Filed under: Uncategorized | Tags: Balthazar Getty, Billy Bob Thornton, David Dobkin, David Kromholtz, Dax Shephard, Georges Simenon, Jeremy Strong, Jr., Lea Drucker, Mathieu Almaric, Nick Schenk and Bill Dubuque, Robert Downey, Robert Duvall, Stephanie Cleau, The Blue Room, The Judge, Vera Farmiga, Vincent D’Onofrio | Leave a comment »First, a word from our sponsors. Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
Warning: SPOILERS
How can I cliché thee? Let me count the ways.
In the opening scene of The Judge, the new courtroom cum father/son we hate each other so much we love each other drama, defense attorney Hank Palmer (the kind of attorney who’ll defend anybody for anything as long as the price is right) is confronted by the prosecuting attorney Mike Kattan (the type of character that believes in truth, justice and the American way, so the filmmakers chose an actor, David Kromholtz, whose mere appearance would elicit laughter, to play the part next to the Ironman, alpha male, washboard stomach Robert Downey, Jr., who plays Hank) and they have one of those scene thingies where they debate the morality of it all.
At the end of the discussion (accompanied by mature goings on like Hank peeing on Mike’s pants), Hank sums up all the clichés that have taken place in that one encounter (and using the word “cliché” to describe it).
If the writers, Nick Schenk and Bill Dubuque, were attempting to get away with the use of overdone platitudes, familiar formula and trite tropes by calling attention to what they were doing—well, okay, in their defense one can at least one can say they knew what they were doing when they were doing it and were trying to do something about it. Read the rest of this entry »
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