Posted: July 11, 2017 | Author: Donald | Filed under: Uncategorized | Tags: Ansel Elgort, Baby Driver, Edgar Wright, Eiza Gonzales, Jamie Foxx, Jon Favreau, Jon Hamm, Jon Watts, Laura Harrier, Marisa Tomei, Martin Starr, Michael Keaton, Spider-Man: Homecoming, Stan Lee, Tom Holland, Tyne Daly | 26 Comments »
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Warning: SPOILERS
I can certainly see why people are so in love with Baby Driver, the new heist film from writer/director Edgar Wright. It’s about as stylish as you can get, and with a stylishness that has a bouncy feel good quality to it that gets you to sit up in your seat, tap your foot and just generally groove out.
It begins with a bank robbery and a car chase orchestrated to a song chosen by the title character (a getaway driver with pouty lips and baby face). It’s followed soon after by a one take with said character bopping down the street to another song, barely dodging people on the street, and backed by some nice gymnastics (this is important because there comes a time when suddenly he’s bumping into people right and left, signaling a sea change within the character).
Everything is calculated and carefully choreographed to be cool and hip. And it is pretty cool. In fact, the movie is not only pretty cool, it’s fully aware as to how cool it is and revels in this coolness to such an extent that it knows that the audience knows that it knows just how cool it is.
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I’m not sure why, but I always get the feeling that when Romeo and Juliet is made into a movie it’s a hit and that teens tend to flock to that story as if their life depended upon it as much as it does the title characters of the play.
