Posted: May 31, 2017 | Author: Donald | Filed under: Uncategorized | Tags: Aidan Gillen, Amos Taman, Azazel Jacob, Debra Winger, Laura Linney, Medora Walters, Noa Kohler, Oren Moverman, Oz Zehavi, Rama Burstein, Rebecca Hall, Richard Gerr, Steve Coogan, The Dinner, The Lovers, The Wedding Plan, Tracey Letts | 5,820 Comments »
First, a word from our sponsors: I wanted to say thank you to everyone who contributed to our Indiegogo campaign for 15 Conversations in 10 Minutes. We did very well due to you folks. For those who weren’t able to give, keep us in your thoughts. And if you are able to contribute in the future, contact me and I’ll tell you how. I will even honor the perks on the original campaign.
I am now offering a new consultation service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00. For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you. I’ll help you not lose the reader on page one.
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? FosCheck out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
and check out my Script Consultation Services: http://ow.ly/HPxKE
Just some quick reviews to get caught up on my movie going which has been curtailed to some degree due to health issues, but now I feel closer to my old self. Now if I could only feel closer to my old self of thirty years ago, everything would be wonderful. But, ‘tis not to be.
One subgenre of film I usually detest is the romance where the female central character has no other goal in life than to find a husband and who believes that her life will always be incomplete without a man in it.
Usually when confronted by such a personage, I always want to yell “get a life” at the screen.
However, I also always say that there are always exceptions and so it goes that Michal, the focus of writer/director Rama Burstein’s new film The Wedding Plan, is just such an exception. Read the rest of this entry »