THE APES OF WRATH: Movie Review of War for the Planet of the Apes by Howard Casner

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Warning: SPOILERS

I am well aware as to what the critics and my fellow movie goers feel about War for the Planet of the Apes.

And I don’t care.

As far as I’m concerned, this second sequel and third prequel of the Planet of the Apes franchise written by Mark Bomback and the director Matt Reeves is perhaps one of the worst films of the year. Read the rest of this entry »


APEOCALYPSE, OR OF APES BOTH NAKED AND HAIRY: Movie reviews of Venus in Fur, Life Itself and Dawn of the Planet of the Apes

First, a word from our sponsors. Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r

Warning: SPOILERS

venusThe new movie, Venus in Fur, co-written by bad boy old timer Roman Polanski (who also directed) with relative new comer David Ives, from a play by Ives that was influenced by a book by Leopold von Sacher-Masoch (yeah, that Sacher-Masoch—oh, no, don’t even try it, you know very well whom I’m talking about, you can’t fool me), begins during a somewhat impressionistic rain storm on a deserted street in France (so I guess the slight touch of impressionism shouldn’t be a surprise) backed by a music score of sublime slyness.

In fact, the score is so sublime, so sly, so clever, so flippant, so wicked, so…well, just so everything that I found myself being driven crazy because I couldn’t place the composer. And then at the end, during the credits, there it is—the name Alexandre Desplat, and all I could think was, of course, who else could it possibly have been. Read the rest of this entry »