Posted: May 25, 2016 | Author: Donald | Filed under: Uncategorized | Tags: Amy Jump, Ben Wheatley, Crash, Elizabeth Moss, Empire of the Sun, High-Rise, J.G. Ballard, Jeremy Irons, Kill List, Marie Antoinette, Metropolis, Monty Python, Sienna Miller, Sightseers, Snowpiercer, The Flies, Tom Hiddleston | 6 Comments »
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The first third of High-Rise, the new movie based on the J.G. Ballard novel (he also gave us the autobiographical Empire of the Sun and the unautobiographical, we hope, Crash—no, not that Crash, Ballard gave us the one where people get turned on by auto accidents), has a nice quirky, what-the-hell sort of quality to its writing (Amy Jump, of Kill List and Sightseers) and directing (Ben Wheatley of ditto); they both seem to be having a great deal of fun, if nothing else.
Laing, a 30-something who likes to fall asleep on his balcony in the nude, moves into one of five of a set of state of the art apartment complexes that reach to the skies like the fingers of a hand. As he interacts with his neighbors, the conversation is realistic, yet off just a little. The actions of the characters are also realistic, yet off just a little. It almost feels like a kitchen sink version of a Monty Python sketch.
I more than suspect the whole thing is supposed to be allegorical with the high-rise an encapsulation of all the classes in England. Well, not quite, perhaps. The middle class live on the lower floors and the upper class live much higher, but the lower class seems restricted to a single building superintendent. While such dystopian allegories as Metropolis and Snowpiercer have no apparent middle class, High-Rise seems strangely void of a lower one. Read the rest of this entry »
Posted: April 18, 2014 | Author: Donald | Filed under: Uncategorized | Tags: Angeli Bayani, Anthony Chen, Benoit Soler, David Gordon Green, Gary Brown, Ilo Ilo, Jim Jarmusch, Joe, John Hurt, Koh Jai Ler as the holy terror Jiale, Mia Wasikowska, Nicolas Cage, Only Lovers Left Alive, Tian Wen Chen, Tilda Swinton, Tom Hiddleston, Tye Sheridan, Yann Yann Yeo, Yorick Le Saux | 15 Comments »
The family of Jiale, a young boy growing up in Singapore in the 1990’s, is, shall we say, not having the best of times.
His mother Hwee Leng is, well, quite pregnant, to say the least, and works for a company where she types the dismissal notices for a mass layoff; her job seems secure, but no one else around her is so confident. The father, Teck, works as a salesman for a company that makes shoddy protective glass and he soon finds himself out of a job (though he doesn’t tell the family). And Jiale, well, Jiale is simply a terror, a combination of Damien Thorn and Rhoda Penmark. Read the rest of this entry »