Posted: August 6, 2016 | Author: Donald | Filed under: Uncategorized | Tags: Café Society, Corey Stoller, Jeannie Berlin, Jessie Eisenberg, Ken Stott, Kristen Stewart, Parker Posey, Paul Schneider, Stephen Kunken, Steve Carrell, Still Alice, The Clouds of Sils Maria, Woody Allen | 1 Comment »
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In Woody Allen’s most recent attempt at making himself forget that he will have to die one day, or as it’s called in the state of the art, his latest film, Café Society, about a young man, Bobby (Allen stand in Jessie Eisenberg), who goes out to the West Coast to see if he wants to make a future there, the camera often glides around a scene with all the grace of Sonja Henri, even at times so smoothly it left me a little dizzy. I can’t remember the last time I saw Allen’s camera flow as much as it does here. Often of late, his camera feels as if it were following the old saying, what you see is what you get.
Its appearance was so refreshing at the beginning of the film, it had me hoping for something more than a typical 21st Century Woody Allen movie. But alas, though not a terrible night at the cinema, Café Society is only intermittently successful.
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Posted: December 14, 2014 | Author: Donald | Filed under: Uncategorized | Tags: Alec Baldwin, Bruce Wagner, David Cronenberg, Evan Bird, Hunter Parrish, John Cusack, Julienne Moore, Kristen Stewart, Maps to the Stars, Mia Wasikowski, Richard Glatzer, Robin Pattinson, Still Alice, Wash Westmoreland | Leave a comment »
First, a word from our sponsors. Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
Julianne Moore is destined to win the Best Actress award at the 2014 Academy Awards. It’s written in the stars (pun intended) as much as any plot in a drama by Aeschylus or Shakespeare. Far and wide it has been announced that it is Ms. Moore’s year. And who am I to argue with the stars, metaphorical or not?
Now, the question that remains is, “why”? What confluence of events, both within and without anyone’s control, has lead Moore to this momentous precipice?
I’m glad you asked. I shall try and enumerate the reasons.
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