Posted: October 6, 2015 | Author: Donald | Filed under: Uncategorized | Tags: Anaius Demoustier, Bobby Fischer, Boris Spassky, Edward Zwick, François Ozon, Isild Le Besco, Liev Schreiber, Michael Stuhlberg, Pawn Sacrifice, Peter Sarsgaard, Raphaȅl Personnaz, Romain Duras, Ruth Rendall, Steven Knight, The New Girlfriend, Tobey Maguire | 2 Comments »
First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00. For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you. I’ll help you not lose the reader on page one.
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
and check out my Script Consultation Services: http://ow.ly/HPxKE
Warning: SPOILERS
I do remember, somewhat vaguely it must be admitted, when the notorious and neurotic (to be polite) Bobby Fischer played Russian behemoth Boris Spassky for the world Grand Master of Chess back in 1972.
The portrait that was being painted of Fischer by many in the media at the time was of someone who was acting outrageously, unreasonably and very, very strangely in order to out-psyche his blindsided opponent. In other words, everyone thought there was a method to Fischer’s madness.
But writer Steven Knight and director Edward Zwick, in their version of the match in their new film Pawn Sacrifice, take a different approach. In their perspective, Fischer came by his outrageousness honestly. According to Knight and Zwick, Fischer’s actions were the result of some pretty serious mental issues rather than fully conscious choices.
In other words, while everyone, including Spassky, thought that Fischer was playing Hamlet, in reality, he’s the guy in the hospital who thinks he really is Hamlet.
