WILD JACKS, DRAMA QUEENS and KING OF KINGS: Movie reviews of Guardians of the Galaxy, The Dog and Calvary by Howard Casner

First, a word from our sponsors. Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r

Warning: SPOILERS

guardians-of-the-galaxy-hed-2014Some are born great, some achieve greatness, and some have greatness thrust upon them

               Malvolio in Twelfth Night, William Shakespeare

Well, I’m not sure I want to go over to actor Chris Pratt’s house for the holidays. After starring in both Guardians of the Galaxy and The Lego Movie, I strongly suspect there’s going to be no living with him.

Guardians of the Galaxy is the latest in the summer blockbusters the studios tend to set upon us now that it is, well…summer, I guess. The main difference is that GOT Galaxy (as I call it, or just started calling it cause it sounds kind of neat) has it’s tongue far more firmly planted in its cheek than in most summer blockbusters—and that’s saying a lot if you take Iron Man into consideration.

How good is it? Well, on a scale of one to ten, it’s not as good as The Lego Movie or X-Men: Days of Future Past, but it’s better than Edge of Tomorrow (or Live Die Repeat as the Cruise control movie seems to be called now that it’s being released on home video). Read the rest of this entry »


HOT AND COLD: Movie reviews of Words and Pictures, Cold in July and Chinese Puzzle

Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r

words and picturesOfttimes of late, and not so late, I get into a discussion/argument/knock down drag out fight as to whether the director or the screenwriter is more important to the success of a movie, or even to the existence of a movie. The conflict usually boils down to which is more important, the visual or written aspects.

It’s a silly argument, at least it should be, because the answer is that both are important and neither should be denigrated (and are often so intermingled that you can’t even tell what part of the film resulted from one over the other). It’s a pretty obvious conclusion, though you’d be surprised as to how many people don’t go for the obvious. Read the rest of this entry »