Posted: November 22, 2015 | Author: Donald | Filed under: Uncategorized | Tags: Billy Cruddop, Brian d’Arcy James, Jamey Sheridan, John Slattery, Josh Singer, Len Cariou, Liv Schreiber, Mark Ruffalo, Michael Keaton, Rachel McAdams, Richard Jenkins, Spotlight, Stanley Tucci, Tom McCarthy | Leave a comment »
First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00. For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you. I’ll help you not lose the reader on page one.
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
and check out my Script Consultation Services: http://ow.ly/HPxKE
I am the first to admit that the Oscars are rarely given to the finest in the art of film, but much more likely to the loftiest of middlebrow entertainment (with some edginess thrown in on occasion for good measure).
At the same time, I think we do have one thing to be grateful for when it comes to the Academy. Since the balloting closes the first of the year, more and more, fall and early winter leaves behind the cheek of tan, tent pole blockbusters of summer (films forced into as many of the four quadrants as it may fit) and gives way to producers who, like the changing colors of leaves, turn to releasing their prestige pictures, the ones they believe have the best chance at garnering the attention of the gold statuette who hides his genitals with a sword.
These films are the ones that producers and studio executives feel they don’t have to apologize or make excuses for and instead can brag that they actually had a hand in their making.
One of these films, Spotlight (or All the Cardinal’s Men as a friend of mine called it) is now being spoken of as the one to beat come spring. And, taking everything into consideration, they could certainly do far worse, because, however else you may feel about it, Spotlight is the epitome of middlebrow taste, and, even better, is crackerjack entertainment. Read the rest of this entry »