RULES ARE MEANT TO BE BROKEN: Movie Reviews of Rules Don’t Apply and Allied by Howard Casner
Posted: December 1, 2016 | Author: Donald | Filed under: Uncategorized | Tags: Alden Ehrenreich, Alec Baldwin, Amy Madigan, Annette Bening, Brad Pitt, Candice Bergen, Dabney Coleman, Ed Harris, Hart Bochner, Jared Harris, Lily Collins, Marion Cottilard, Martin Sheen, Matthew Broderick, Matthew Goode, Oliver Platt, Paul Schneider, Paul Sorvino, Robert Zemeckis, Rules Don’t Apply, Simon McBurney, Steven Knight, Warren Beatty | 1,312 Comments »For questions: hcasner@aol.com
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Warning: SPOILERS
Rules Don’t Apply, the latest, and from what I understand, the last film from Warren Beatty who wrote, produced and plays famous recluse Howard Hughes here, has some charming moments in the first half.
The story revolves round Frank Forbes (Alden Ehrenreich, who has the looks, charisma, but a lot more talent than B-movie actor Audie Murphy) who is one of Hughes’s many drivers who escort one of the billionaire’s many starlets around Los Angeles. The starlet assigned to Frank is Marla Mabry (Lily Collins).
Both are quite religious (Hughes chose his drivers from church goers as a guard against them trying to bed his starlets). They say grace before meals, watch The Billy Graham Crusade on television, and attend church every Sunday. And not only do they do this unapologetically when others are around and in the streets where they might scare the horses, Beatty himself presents this spiritual side of the characters just as unapologetically. Read the rest of this entry »
THE EAST IS EAST AND THE WEST IS WEST: Movie Review of Woody Allen’s Café Society by Howard Casner
Posted: August 6, 2016 | Author: Donald | Filed under: Uncategorized | Tags: Café Society, Corey Stoller, Jeannie Berlin, Jessie Eisenberg, Ken Stott, Kristen Stewart, Parker Posey, Paul Schneider, Stephen Kunken, Steve Carrell, Still Alice, The Clouds of Sils Maria, Woody Allen | 724 Comments »First, a word from our sponsors: I wanted to say thank you to everyone who contributed to our Indiegogo campaign for 15 Conversations in 10 Minutes. We did very well due to you folks. For those who weren’t able to give, keep us in your thoughts. And if you are able to contribute in the future, contact me and I’ll tell you how. I will even honor the perks on the original campaign.
I am now offering a new consultation service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00. For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you. I’ll help you not lose the reader on page one.
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
and check out my Script Consultation Services: http://ow.ly/HPxKE
Warning: SPOILERS
In Woody Allen’s most recent attempt at making himself forget that he will have to die one day, or as it’s called in the state of the art, his latest film, Café Society, about a young man, Bobby (Allen stand in Jessie Eisenberg), who goes out to the West Coast to see if he wants to make a future there, the camera often glides around a scene with all the grace of Sonja Henri, even at times so smoothly it left me a little dizzy. I can’t remember the last time I saw Allen’s camera flow as much as it does here. Often of late, his camera feels as if it were following the old saying, what you see is what you get.
Its appearance was so refreshing at the beginning of the film, it had me hoping for something more than a typical 21st Century Woody Allen movie. But alas, though not a terrible night at the cinema, Café Society is only intermittently successful.
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