POSSESSION IS 9/10ths OF THE LAW: Movie Reviews of The Wailing and The Conjuring 2 by Howard Casner

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Warning: SPOILERS

rev 5Two movies have opened of late that revolve around children being taken over by supernatural forces beyond their control. I’m sure many of you might ask, “But how can you be sure it’s not just puberty?” Well, see the films and decide for yourself.

In the last number of years, the most interesting movies have been making their way over here from two unlikely sources: the Romanian and South Korean new waves. One might suggest that one is the result of having recently thrown off the cloak of Communism and the other from living under the specter of the same. But that’s little more than speculation.

However, there is a difference in the two. While the movies we get from Romania tend to be more political and social critiques (4 Months, 3Weeks, 2Days, Police: Adjective, The Death of Mr. Lazarescu), the ones from South Korea tend to be more genre focused (The Host, Thirst, Sympathy for Mr. Vengeance).

Writer/director Hong-jin Han is one of the more interesting of the new set of Korean filmmakers. He started out with a psychological thriller (The Chaser, about a serial killer targeting prostitutes), and followed it up with a political thriller (Yellow Sea, about a man set up as a fall guy for an assassination, in a style worthy of Alfred Hitchcock).

His new film is of the genre horror, about a small town that becomes victim to a series of horrifying and inexplicable, and with enough blood to make Sweeny Todd proud, deaths. But is the cause a Japanese man new to the area (Jun Kunimura, known here for Kill Bill, Vol. I and II and Audition, so it’s understandable that there are those who would be of the suspicious sort); an odd, but beautiful young woman in white who appears to appear and disappear (Chun Woo-hee, who can also be seen in the wonderful Bong Joon-ho thriller, Mother); a demonic spirit; or some combination of the above. Read the rest of this entry »